In or around the Providence, Rhode Island this January? I’m happy to announce an installation of new papermaking artwork at the Paperworks downtown storefront.
On view are 6 handmade paper works. Each has a portion of previously made works (ranging from cast pulp prints, silkscreen prints, seaweed books, river mud books) embedded in transparent abaca fiber.
More interesting, in this alternative space, it was exciting to view these as 2-sided works. Depending on the lighting and time of day, these paper pieces transform dramatically. I’m still planning on stopping by a few more times to see how they change!
Hello there! I’m happy to say that I have a group of pulp paintings at the Pawtucket Arts Collaborative (PAC) Gallery in Rhode Island, at the recent 10x10x10 Exhibition.
Happy 4th! Enjoy some detail shots of what’s going on my studio recently. Lots of small pulp painting/pulptype experiments and making friends with my new(ish) beater. Yep, I now have a little monster of a Noble & Wood Hollander Beater.
This past weekend, I was happy to teach the very first Papermaking class at the AS220 Print Shop, here in Providence, Rhode Island. The printshop folk were kind enough to let us invade the silkscreen area with vats of pulp, moulds & deckles, and some serious hand papermaking action.The class was sold-out, and enthusiastic students had a great day learning how to make paper by hand and create fantastic pulp paintings.
Not too long ago, I made a road trip to San Antonio, Texas to see the city and make some pulp paintings at the Picante Paper Studio at the Southwest School of Art. The visit was my award won at the 5th National Collegiate Handmade Paper Art Exhibition, shown at Rutgers and the Corcoran Center. Thank-you Beck Whitehead for being a great host!
Channels: by May Babcock, Sarah Hayman, Jessie Hornbrook and Megan Singleton. This past March, I was part of a collaborative handmade paper and video art installation, Channels, which coincided with the SGC International Printmaking 2012 Conference in New Orleans. Channels is part of the art exhibition, Uncharted Territories: A Printscape, which featured emerging artists from South Louisiana working in printmaking based mediums. More photos of the whole show HERE.
Last month was the SGCI Printmaking Conference, held here in New Orleans, Louisiana. I (www.maybabcock.com) had the opportunity to be an official demonstrator as part of the conference, thanks to Vanessa Adams, who runs the New Orleans Community Print Shop.
Every year the Yahoo Papermaking Group holds a Swatch Swap, which is an international exchange of handmade paper samples with recipes of how each unique paper was made.
May Babcock, Cinclaire Study 4
My print/hand paper art was accepted into the, here it goes, 5th National Collegiate Handmade Paper Art Triennial. This exhibition is juried by Jane Milosch, and sponsored by the Brodsky Center at Rutgers, The State University of New Jersey and the Corcoran Center of Art + Design.
Cinclaire Study 4 was part of a series of work shown at The Latent Landscape, my MFA Thesis exhibition in April, 2011. More from that show can be seen at my website, www.maybabcock.com. It is a charcoal paper cast woodcut with charcoal drawing, string and pulp painting. Don’t ask, because my process was most likely even more complicated than summarized. Maybe that’s a future blog post. Maybe.
I did work from observational sketches of the out-of-use Cinclaire Sugar Plantation, across the river from here in Baton Rouge, Louisiana. Interested in my artist statement? Click here.