In or around the Providence, Rhode Island this January? I’m happy to announce an installation of new papermaking artwork at the Paperworks downtown storefront.
On view are 6 handmade paper works. Each has a portion of previously made works (ranging from cast pulp prints, silkscreen prints, seaweed books, river mud books) embedded in transparent abaca fiber.
More interesting, in this alternative space, it was exciting to view these as 2-sided works. Depending on the lighting and time of day, these paper pieces transform dramatically. I’m still planning on stopping by a few more times to see how they change!
If you saw my last post, you’ll see that I had a ball teaching an all-day hand papermaking workshop at the AS220 Print Shop. Soon after, I was interviewed by Alison, an AS220 intern,
Channels: by May Babcock, Sarah Hayman, Jessie Hornbrook and Megan Singleton. This past March, I was part of a collaborative handmade paper and video art installation, Channels, which coincided with the SGC International Printmaking 2012 Conference in New Orleans. Channels is part of the art exhibition, Uncharted Territories: A Printscape, which featured emerging artists from South Louisiana working in printmaking based mediums. More photos of the whole show HERE.
Last month was the SGCI Printmaking Conference, held here in New Orleans, Louisiana. I (www.maybabcock.com) had the opportunity to be an official demonstrator as part of the conference, thanks to Vanessa Adams, who runs the New Orleans Community Print Shop.
Sneak preview! Here are some snippets of an upcoming art exhibition in New Orleans, Louisiana that I organized and am collaborating in for the SGC International Printmaking Conference. Uncharted Territories: A Printscape is a collaborative installation by a group of emerging artists in South Louisiana. The installation includes a conglomeration of large format printmaking, papermaking, fiber, video projection, sound and light.
It is about time that I share a few photographs of my Master’s of Fine Arts thesis show, The Latent Landscape, which took place in April 2011 at the Glassell Gallery in Baton Rouge, Louisiana.
Get ready for some juicy photos of Passing Notes: A Handmade Paper Collaborative Installation at the Gya Gallery at Yeyo Arts Collective in St. Louis, MO. This was a project I was part of in March 2011 with Megan Singleton and Sarah Shearer ( fellow Louisiana State University printmaking and sculpture graduate students).
May Babcock, Cinclaire Study 4
My print/hand paper art was accepted into the, here it goes, 5th National Collegiate Handmade Paper Art Triennial. This exhibition is juried by Jane Milosch, and sponsored by the Brodsky Center at Rutgers, The State University of New Jersey and the Corcoran Center of Art + Design.
Cinclaire Study 4 was part of a series of work shown at The Latent Landscape, my MFA Thesis exhibition in April, 2011. More from that show can be seen at my website, www.maybabcock.com. It is a charcoal paper cast woodcut with charcoal drawing, string and pulp painting. Don’t ask, because my process was most likely even more complicated than summarized. Maybe that’s a future blog post. Maybe.
I did work from observational sketches of the out-of-use Cinclaire Sugar Plantation, across the river from here in Baton Rouge, Louisiana. Interested in my artist statement? Click here.
Other than working at my real job and attempting to run this blog, another recent activity has been organizing an art exhibition for the upcoming SGC International Printmaking Conference, Navigating Currents. This year, it will be in New Orleans, Louisiana, and only a hop-skip-and-a-jump away from Baton Rouge.