In or around the Providence, Rhode Island this January? I’m happy to announce an installation of new papermaking artwork at the Paperworks downtown storefront.
On view are 6 handmade paper works. Each has a portion of previously made works (ranging from cast pulp prints, silkscreen prints, seaweed books, river mud books) embedded in transparent abaca fiber.
More interesting, in this alternative space, it was exciting to view these as 2-sided works. Depending on the lighting and time of day, these paper pieces transform dramatically. I’m still planning on stopping by a few more times to see how they change!
Happy 4th! Enjoy some detail shots of what’s going on my studio recently. Lots of small pulp painting/pulptype experiments and making friends with my new(ish) beater. Yep, I now have a little monster of a Noble & Wood Hollander Beater.
I’m happy to announce my latest show, Land Studies, a solo exhibition of my new papermaking work at the AS220 Project Space Gallery in Providence. It’s my first Rhode Island art show! Take a look at my new pulp paintings and sculptural papermaking installations based on sites around Rhode Island and coastal New England.
After a run of some popular basic hand papermaking classes at the AS220 Print Shop, a sculptural papermaking class seemed to make sense. Pulp painting is fantastic, but so is taking advantage of the artistic potential of paper to be three-dimensional. Working with paper pulp or freshly formed, wet sheets opens up a world of sculptural techniques that utilize how wet paper sheets dry and the remarkable memory that paper fibers have. Lindsey Beal and I had a great time showing a range of sculptural techniques in this debut class. Check out some photos from the workshop!
Phrag is everywhere. And that’s not exactly a good thing. Common reed (Phragmites Australis) is an invasive plant commonly found near waterways and especially near construction sites, ditched marshes, roadside ditches, and other disturbed sites. With such a plentiful fiber used in other areas of the world for papermaking with loaded environmental significance, I decided to process a handful of these monstrous plants into pulp and paper. Keep scrolling for directions on how I turned something unwanted into paper.
If you saw my last post, you’ll see that I had a ball teaching an all-day hand papermaking workshop at the AS220 Print Shop. Soon after, I was interviewed by Alison, an AS220 intern,
This past weekend, I was happy to teach the very first Papermaking class at the AS220 Print Shop, here in Providence, Rhode Island. The printshop folk were kind enough to let us invade the silkscreen area with vats of pulp, moulds & deckles, and some serious hand papermaking action.The class was sold-out, and enthusiastic students had a great day learning how to make paper by hand and create fantastic pulp paintings.
It’s been a painful amount of time since I’ve posted, so here it goes.
Me, my hubby, and my dog have moved to Providence, RI, leaving dear old Baton Rouge behind. The trouble with moving, as an artist, is finding/creating the space to make work. Thus, I’ve been jerry-rigging a hand papermaking studio for myself in a wee corner of a very dark basement.
Not too long ago, I made a road trip to San Antonio, Texas to see the city and make some pulp paintings at the Picante Paper Studio at the Southwest School of Art. The visit was my award won at the 5th National Collegiate Handmade Paper Art Exhibition, shown at Rutgers and the Corcoran Center. Thank-you Beck Whitehead for being a great host!