In or around the Providence, Rhode Island this January? I’m happy to announce an installation of new papermaking artwork at the Paperworks downtown storefront.
On view are 6 handmade paper works. Each has a portion of previously made works (ranging from cast pulp prints, silkscreen prints, seaweed books, river mud books) embedded in transparent abaca fiber.
More interesting, in this alternative space, it was exciting to view these as 2-sided works. Depending on the lighting and time of day, these paper pieces transform dramatically. I’m still planning on stopping by a few more times to see how they change!
Happy 4th! Enjoy some detail shots of what’s going on my studio recently. Lots of small pulp painting/pulptype experiments and making friends with my new(ish) beater. Yep, I now have a little monster of a Noble & Wood Hollander Beater.
I’m happy to announce my latest show, Land Studies, a solo exhibition of my new papermaking work at the AS220 Project Space Gallery in Providence. It’s my first Rhode Island art show! Take a look at my new pulp paintings and sculptural papermaking installations based on sites around Rhode Island and coastal New England.
After a run of some popular basic hand papermaking classes at the AS220 Print Shop, a sculptural papermaking class seemed to make sense. Pulp painting is fantastic, but so is taking advantage of the artistic potential of paper to be three-dimensional. Working with paper pulp or freshly formed, wet sheets opens up a world of sculptural techniques that utilize how wet paper sheets dry and the remarkable memory that paper fibers have. Lindsey Beal and I had a great time showing a range of sculptural techniques in this debut class. Check out some photos from the workshop!
Phrag is everywhere. And that’s not exactly a good thing. Common reed (Phragmites Australis) is an invasive plant commonly found near waterways and especially near construction sites, ditched marshes, roadside ditches, and other disturbed sites. With such a plentiful fiber used in other areas of the world for papermaking with loaded environmental significance, I decided to process a handful of these monstrous plants into pulp and paper. Keep scrolling for directions on how I turned something unwanted into paper.
If you saw my last post, you’ll see that I had a ball teaching an all-day hand papermaking workshop at the AS220 Print Shop. Soon after, I was interviewed by Alison, an AS220 intern,
Not too long ago, I made a road trip to San Antonio, Texas to see the city and make some pulp paintings at the Picante Paper Studio at the Southwest School of Art. The visit was my award won at the 5th National Collegiate Handmade Paper Art Exhibition, shown at Rutgers and the Corcoran Center. Thank-you Beck Whitehead for being a great host!
The local art scene in Baton Rouge is getting noticeably more exciting!
Elevator Projects is an art collective that holds “pop-up” experimental art exhibitions. It was started by a group of LSU graduate art students who saw a need for more open platforms for art in the community.
More about Elevator Projects in this article, and Facebook here. The most recent exhibition is Fluxswitch, in which I installed collaborative paper work in. Keep scrolling down for photos from the opening night.
As promised, here are photos of the art installations shown in Uncharted Territories: A Printscape, which was part of this past SGC International Printmaking Conference held in New Orleans, Louisiana. This exhibition features emerging artists in South Louisiana, working in printmaking, handmade paper art, fiber art, video, sculpture and more. Enjoy!